|
Marinus Claeszoon van Reymerswaele (c.1490–c.1546) was a Dutch painter.〔(J. Friedländer, Early Netherlandish Painting, Leiden 1975, deel XII pp. 40-3 en 106-8 )〕 〔(Mackor, 'Marinus van Reymerswale: Painter, Lawyer and Iconoclast?', Oud Holland 109 (1995) pp. 191-200 )〕 ==Biography== Marinus van Reymerswaele received later the name of the city of Reimerswaal, Netherlands, where he was born and where he worked, at least from 1533-1540. In the latter year he moved to Goes, where he died around 1546. He is also named Marinus de Seeu (from Zeeland, a province of the Netherlands). He studied at the University of Leuven (1504) and was trained as a painter in Antwerp (1509). His name is known from a small number of signed panels. A number of other paintings are attributed to Marinus on stylistic grounds. His oeuvre consists of a relatively small numbers of themes only, mostly adapted from Quentin Massys and Albrecht Dürer: *The moneychanger and his wife *Two tax collectors *The lawyer’s office *Saint Jerome in his study *The calling of Matthew A large group of tax collectors are wrongly attributed to Marinus. His themes were popular in the sixteenth century and his paintings copied many times. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Marinus van Reymerswaele」の詳細全文を読む スポンサード リンク
|